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Carl André : ウィキペディア英語版
Carl Andre

Carl Andre (born September 16, 1935) is an American minimalist artist recognized for his ordered linear format and grid format sculptures. His sculptures range from large public artworks (such as ''Stone Field Sculpture'', 1977 in Hartford, CT〔''Hartford Advocate 11/13/1997 "Twenty Years After Stone Field Sculpture shook the Insurance City, Carl Andre Returns" by Patricia Rosoff'' ()〕 and ''Lament for the Children'', 1976〔(''Lament for the Children'' 1976 Paula Cooper Gallery, New York, NY )〕 in Long Island City, NY) to more intimate tile patterns arranged on the floor of an exhibition space (such as ''144 Lead Square'', 1969〔(''144 Lead Square'' )〕 or ''Twenty-fifth Steel Cardinal'', 1974). In 1988, Andre was tried and acquitted in the death of his wife, artist Ana Mendieta.
== Early life ==
Andre was born in Quincy, MA. He completed primary and secondary schooling in the Quincy public school system and studied art at Phillips Academy in Andover, MA from 1951 to 1953.〔''Naked by the Window,'' by Robert Katz published 1990 by The Atlantic Monthly Free Press ISBN 0-87113-354-7〕 While at Phillips Academy he became friends with Hollis Frampton who would later influence Andre's radical approach to sculpture through their conversations about art〔''12 Dialogues,'' Carl Andre and Hollis Frampton 1962-1963 published by Nova Scotia College of Art and Design Press and New York University Press, edited by Benjamin HD Buchloh ISBN 0-8147-0579-0〕 and through introductions to other artists.〔''Minimalism: Art and Polemics in the Sixties,'' edited by James Meyer, published 2004 by Yale University Press ISBN 0-300-10590-8, ISBN 978-0-300-10590-2〕
Andre served in the U.S. Army in North Carolina 1955-56 and moved to New York City in 1956. While in New York, Frampton introduced Andre to Constantin Brâncuși through whom Andre became re-acquainted with a former classmate from Phillips Academy, Frank Stella, in 1958. Andre shared studio space with Stella from 1958 through 1960.〔

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